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Text C Japan The Ambiguous and Myself(第1页)

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Text,TheAmbiguous,andMyself

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——theureied)

KenzaburoOe

[1]Duriastrophicasalittleboyandlivedie,woodedvalleyonShikokuIslandintheJapaneseArchipelago,thousandsofmilesawayfromhere.AtthattimethereweretwobooksbywhichIwasreallyfasated:TheAdventuresofHuckleberryFinnandTheWonderfulAdventuresofNils.TheasthenengulfedbywavesofhHuckleberryFiIwasabletojustifymyagiainightandsleepingamohaseywhichIeverfindiagonistofTheWonderfulAdventuresofNilsistraoalittlecreature,uandsbirds’languageandmakesaurousjourney.Iderivedfromthestorysensuouspleasuresofvariouskinds.Firstly,livingasIwoodontheIslandofShikokujustasmyaorshaddonelongago,Ihadarevelationthatthisworldandthiswayoflifethereweretrulyliberating.Sedly,IfeltsympathetitifiedmyselfwithNils,anaughtylittleboy,whSweden,cwithandfightingforthewildgeese,transformshimselfintoaboy,stillifullofceaswellasmodesty.Oneatlast,ohisparents.IthinkthatthepleasureIderivedfromthestoryatitshighestlevelliesinthelanguage,becauseIfeltpurifiedandupliftedbyspeakingalongwithNils.

[2]AfterIgotmarried,thefirsttouswasmentallyhandicapped.WenamedhimHikari,meaning“Light”

inJapanese.Asababyherespoothechirpsofwildbirdsaohumanvoierwhenhewassixyearsate.Heheardapairofwaterrailswarblingfromthelakebeyondagrove,ahthevoientatofwildbirds,“Theyarewaterrails.”

Thiswasthefirstmomentmysoeredhumanwords.ItwasfromthenonthatmywifeandIbeganhavingverbaluniwithourson.

[3]HikarinowworksatavoaltraireforthehandiinstitutionbasedofromSwedeimehehasbeenposingworksofmusic.BirdsweretheinatorsthatoediatedhisanmusiybehalfHikarihasthusaplishedtheprophecythatImightonedayuhelanguageofbirds.ImustsayalsothatmylifewouldhavebeenimpossiblebutformywifewithherabundantfemalefordwisdoShehasbeentheveryinofAkka,theleaderofNils’swildgeese.TogetherwithherIhaveflowntoStoaheprophecieshasalso,tomyutmostdelight,no>

[4]KawabataYasuJapaoodonthisplatformasawiheNobelPrizeiure,deliveredaletitledJapaiful,awasatoifulandvague.IhaveusedtheEnglishwueasahatanese“aimaina”

.ThisJapaivecouldhaveseveralaltersEnglishtranslation.ThekindofvagueKateddeliberatelyisimpliediselfofhislecture.

[5]UitleKawabatatalkedaboutauniquekindofmysticismwhidnotonlyibutalsomorewidelyOrientalthought.By“unique”

ImeaeowardsZenBuddhisEveh-turywriter,KaictshisstateofmihepoemswrittenbymedievalZenmonks.Mostofthesepoemsareedwiththelinguisticimpossibilityoftellingtruth.

[6]WhydidKawabataboldlydecidetoreadthoseextremelyesoterisiheaudieo?Ilookbackalmosthtforwardbraverywhichheattaiowardstheendofhisdistinguisheddwithwhichhemadesufessionofhisfaith.Kawabatahadbeenanartisticpilgrimfordecadesduringwhichheproduasterpieces.Afterthoseyearsofhispilgrimage,onlybymakingaastohowhewasfasatedbysuaccessibleJapabaffleafullytouhem,washeabletotalkabout“Japaiful,ais,abouttheworldinwhichhelivedaurewhichhecreated.

[7]Totellyouthetruth,ratherthanwithKaatriotwhostoodheretwenty-sixyearsago,IfeelmorespiritualaffinitywiththeIrishpoetWilliamButlerYeats,ardedaNobelPrizeiureseventyowheaboutthesameageasme.OfcourseIwouldorahepoetiiusYeats.Iammerelyahumblefinatryfarremovedfromhis.AsWilliamBlake,whoseworkYeatsrevaluedahehighplaceitholdsiury,oe:“AcrossEuropeandAsiatodJapaning’s.”

[8]Yeatsisthewriterinouldliketofollow.Iwouldliketodosoforthesakeofaionthathasediyofnations”

butratheronatoftheteologyirieeringanditsmaomobiles.AlsoIwouldliketodosoasaofsuationedinto“insahusiasmofdestru”

bothonitsownsoilandonthatoftheneighbnations.

[9]Assomeoneliviwouldsuchasthisoneandsharingbittermemoriesofthepastimprintedonmymind,IotutterinunisonwithKahrase“JapaifulandMyself”

.AmomentagoItouthe“vaguehetitleaofKawabata’slecture.Iwouldliketousethewuous”

inacewiththedistinadebytheemiishpoetKathleenRaine;sheonBlakethathewasnotsomuchvagueasambiguous.Iottalkaboutmyselfotherwisethanbysaying“Japan,theAmbiguous,andMyself”

.

[10]Myobservationisthatafterowentyyearsofmodernizatioheopeniry,present-dayJapanissplitbetweentwooppositepolesofambiguity.Itooamlivingasawriterwiththispolarizationimprintedonmelikeadeepscar.

[11]Thisambiguitywhichissopoehatitsplitsboththestateanditspeopleinvariousways.ThemodernizationofJapaatedtfromandimitatiJapanissituatedinAsiaandhasfirmlymairaditionalculture.TheambiguousorientationofJapahetothepositionofaninvaderinAsia.OheodernJapan,whichimpliedbeingthhlyopeoratleastthatimpededuandi.Whatwasmore,JapanwasdrivenintoisolationfromotherAsiaonlypoliticallybutalsosodculturally.

[12]IoryofmodernJapahewritersmostsindawareoftheirmissiohose“post-hototheliteraryseimmediatelyafterthelastlywouhecatastropheyetfullofhopeforarebirth.TheytriedaiheinhumanatroittedbyJapaaryforAsiantries,aswellastetheprofoundgapsthatexistednotohedevelopedtriesoftheanbutalsobetweenAfridLatinAmeritriesandJapan.Onlybydoingsodidtheythinkthattheycouldseekwithsomehumilityrewiththerestoftheworld.Ithasalwaysbeenmyaspirationtogtotheveryendoftheliliterarytraditiohosewriters.

[13]an’s“ambiguity”

iureisakindoficdiseasethathasbeehroughouttheme.Japan’seicprosperityiseither,apaisbyallkindsofpotentialdahelightofthestructureofworldeyandealservation.The“ambiguity”

iseemstobeag.Itmaybemoreobvioustothecriticaleyesoftheworldatlargethantouswithiry.Atthenadirofthepost-wareicpovertywefoundaresilie,neverlosingourhopeforreaysoundcurioustosayso,butweseemtohavenolessresilieoendureouratheominousgoutofthepresey.Fromaofview,aioinerityisgoingtobeiheexpaialpowerofbothprodudptioninAsiaatlarge.

[14]TodefineadesirableJapayIwouldliketopickouttheword“det”

whigtheadjectivesthatGeeOrwelloftenused,alongwithwordslike“humane”

,“sane”

and“ely”

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